The Kunstsammlung Nordrhein-Westfalen, the Staatliche Museen zu Berlin and the MMK Frankfurt wish to address the effects of globalisation and digitalisation in a project that explores the complex subject of “globalism” and the challenges it brings. With their project “museum global?” they scrutinise modernity and the canon upon which it is based.
The royal tomb at the Merseburg Cathedral contains 37 elaborately decorated pewter sarcophagi dating back to the turn of the 18th century. Many of the caskets were in a severely poor condition. Break-ins and vandalism over the years had resulted in metal deformation, material loss and mechanical damage. The poor air quality in the tomb had caused the caskets to corrode, and as time passed, the condition of the sarcophagi continually worsened.
To prevent further deterioration, this KUR project preserved these unique Baroque-period sarcophagi. This included safeguarding their structural integrity, cleaning and removing grime and fixing the paintings and gold plate. The conservation measures were undertaken in a Berlin workshop for metal conservation while the tomb itself was renovated and air-conditioned by the United Merseburg and Naumburg Cathedral Benefactors. The complex preservation measures involving the renovation of the rooms, air conditioning and metal conservation were essential for returning the refurbished caskets to the cathedral and making the tomb accessible again to the public.
United Merseburg and Naumburg Cathedral Benefactors
Institute for Diagnostics and Conservation of Monuments in Saxony and Saxony-Anhalt
University of Applied Sciences in Potsdam, Dept. of Conservation
Rathgen Research Laboratory – Berlin State Museums, Stiftung Preussischer Kulturbesitz
Fraunhofer Institute for Silicate Research, Bronnbach